March 17, 2026

🔥When a Song Turns into a Letter: “Light the Fire” and a Conversation with the Palace!


A few months ago I wrote a protest rap called “Light the Fire.”

The song was inspired by the growing debate around long migration waiting periods and the idea that some people might spend decades in legal limbo before they are allowed to truly belong.

The line that stayed with me while writing the song was simple:

“They light the fire — then complain about the smoke.”

It captures the paradox many refugees feel: wars and crises create displacement, but those who flee often face suspicion, endless waiting, and systems that put their lives on hold.

For me this topic is not theoretical. Thirty-eight years ago I arrived in Europe with my mother as a war refugee. It took 15 years before our lives finally became stable. Years that can never be returned. Years when childhood, education, and identity feel suspended between hope and uncertainty.

Writing the song was one way of expressing those emotions.
But I also felt that simply releasing a song was not enough.

So I decided to do something unusual: I wrote letters.

One letter went to His Majesty King Charles III and Queen Camilla, another to The Prince and Princess of Wales, and a third to 10 Downing Street. The letters were respectful, personal reflections about time, dignity, and the importance of allowing children and families to build stable lives rather than waiting for decades.


My Letter to King Charles & Queen Camilla

Zurich, 18. December 2025

Subject: Twenty-Year Settlement Waiting Periods and Their Impact on Children

Your Majesty,
Your Majesty Queen Camilla,

I am writing to you not as a politician, nor as an expert in law, but as a human being who once arrived in Europe as a war refugee - and who knows, from lived experience, what it means to have one’s life placed on hold for years.

Thirty-eight years ago, my mother and I arrived with little more than hope. We were safe, yes - but safety alone does not equal a life. It took fifteen years before we were allowed to live with stability, dignity, and the right to fully participate in society. Fifteen years of temporary papers, uncertainty, and fear of losing everything again.

Today, I watch history repeat itself.

Recent proposals in the United Kingdom suggest that refugees and migrants may be required to wait up to twenty years before they are granted permanent settlement. Twenty years is not a “process”; it is a lifetime. Childhoods pass, youth disappears, and potential is frozen. Time - the most precious thing any of us owns - is quietly taken away.

Your Majesty, you have dedicated much of your life to supporting young people through The Prince’s Trust, helping those from difficult backgrounds gain confidence, education, and the chance to build something meaningful. Your Majesty Queen Camilla, your long-standing support of books, literacy, and learning reflects a belief that every human being deserves the opportunity to grow, contribute, and belong.

It is in that spirit that I write to you.

How can young people learn, plan, and build a future if they are forced to live for decades in legal limbo? How can families thrive when they are treated as temporary guests in the very place they are trying to call home? Prolonged waiting periods do not encourage integration; they paralyse it.

I understand that the monarchy does not create laws. However, it does carry moral weight. Your voices, your patronage connections, and your lifelong commitment to social responsibility play an important role in shaping public conversation.

I respectfully ask whether you might consider using that influence to highlight the human cost of prolonged settlement waiting periods, to encourage public discussion about their impact on children and families, and to raise concerns with government as to whether decades-long limbo truly reflects British values of fairness, dignity, and compassion.

I write as someone who has survived war, displacement, and years of waiting, and who is now an independent writer and songwriter. Through my writing and song lyrics, I try to raise awareness of inhuman realities such as this one and to give voice to those still trapped in uncertainty. I would be honoured to share my music with you and will include a small memory stick with a selection of my songs, should you ever wish to listen.

Refugees do not ask for privilege. We ask only for the chance to live, work, contribute, and belong - without having decades of our lives suspended.

As the year draws to a close, may I also extend my sincere best wishes to you both, especially for continued health and strength. I wish you a Merry Christmas and a happy, peaceful, and healthy 2026.

Thank you very much for taking the time to read my letter. I hope it will be received in the spirit in which it is written - with respect, concern, and a deep belief in humanity.

Yours sincerely,

Lily Amis

Writer & songwriter

P.S. I have also shared these concerns with the Prime Minister, in the hope that they may be considered across all appropriate levels.


🏛️ Response from Buckingham Palace

Following my letter to His Majesty The King and Queen Camilla, I received a kind response from Buckingham Palace. I have chosen not to share the letter publicly, but I appreciate that my words were received and acknowledged with courtesy.

The Head of Royal Correspondence wrote that the King had received my letter and had taken interest in learning about my work as a songwriter. While the Palace explained that it is not possible for the monarch to comment on policy matters, my views had been “very carefully noted.”

I appreciated the courtesy and the acknowledgment. In today’s fast world, even taking the time to respond thoughtfully says something about the value of dialogue.

So I would like to express my thanks for that reply.



My Letter to the Prince & Princess of Wales

Zurich, 18. December 2025

Subject: Twenty-Year Settlement Waiting Periods and Their Impact on Children

Your Royal Highnesses,

I hope you will forgive me for writing to you again. Some time ago, I had the honour of sending you a selection of my books and audiobook for your children. I was deeply touched by your kind response and your words of thanks for the work I had shared with them. That exchange has stayed with me, and it is in that same spirit of care for children and their futures that I write to you today.

I am a former war refugee, and also a writer and songwriter who believes deeply in the right of every child to grow up with dignity, stability, and hope.

You are parents to three young children. Like all parents, you know how quickly childhood passes - how each year matters, how time shapes confidence, education, and a sense of belonging. It is precisely because of this that I felt compelled to write to you.

There are children today in the United Kingdom - refugee children and children of migrants - whose futures are being placed on hold for up to twenty years under proposed settlement rules. Twenty years is not an administrative detail. It is an entire childhood. It is adolescence. It is the foundation of a life.

No parent would willingly accept their own children being told to wait decades before they are allowed to belong, to feel secure, or to plan a future. No parent would consider it reasonable for their children’s education, mental wellbeing, and sense of worth to be suspended while paperwork slowly moves forward.

Yet this is the reality facing thousands of families.

I arrived in Europe as a child fleeing war. Although I was safe, it took fifteen years before my life was no longer defined by temporary status and uncertainty. Those years cannot be recovered. Education is disrupted, confidence erodes, and dreams shrink - not because of a lack of ability or effort, but because dignity itself is delayed.

Your Royal Highnesses have spoken often about the importance of early childhood, mental health, and giving young people the best possible start in life. Prolonged waiting periods do the opposite. They teach children that they are conditional, temporary, and unwelcome - even when they are doing everything asked of them.

Education, dignity, and the right to a normal life should never be placed on hold.

I understand that you do not make laws. But you do carry influence, compassion, and the ability to shape national conversation. I respectfully ask whether you might consider using your voices and your work to highlight the impact of prolonged legal limbo on children and families, and to encourage reflection on whether such policies truly align with the values of fairness, responsibility, and humanity that Britain stands for.

This letter is written not in anger, but in concern - and in hope. Hope that those who are privileged with safety and stability might help ensure that others are not denied the same simply because of where they were born.

As parents, you know that time with our children is precious. Once lost, it cannot be returned. No child should spend their formative years waiting to be allowed a life.

I have included a small memory stick with a selection of my music (including my track King Charles and Light the Fire), in which I try to raise awareness about inhuman realities such as these through song, should you ever wish to listen.

As the year draws to a close, I would like to wish you and your family a Merry Christmas, along with continued health, safety, and happiness. May the coming year bring peace, compassion, and hope for all children and families.

Thank you very much for taking the time to read my letter.

Yours sincerely,

Lily Amis

Writer & songwriter

P.S. I have also shared these concerns with the Prime Minister, in the hope that they may be considered across all appropriate levels.


đź‘‘ Response from Kensington Palace

Following my letter to the Prince and Princess of Wales, I received a kind response from Kensington Palace too. 

While I have chosen not to share the letter publicly, I appreciated the acknowledgement of my experience and the thoughtful reply.

But both responses were respectful and acknowledged my words, while also reflecting the limits of their roles.

As for my other letter, I have not received a response from Downing Street yet. Perhaps they are still somewhere in the administrative maze of modern governance, or perhaps they simply will remain unanswered. That, too, is part of the reality when citizens try to raise difficult topics.

But the purpose of writing was never confrontation.
It was conversation.

And sometimes the act of speaking honestly is already enough.

For now, I consider this chapter closed. The song “Light the Fire” exists, the letters were written, and the message has been shared. Whether it changes anything immediately is not for me to decide.

What I do know is that creativity should not live forever in anger.

So for the next while, I am turning my focus toward positive stories, new music, and projects with strong sync potential — songs about resilience, hope, and the human spirit.

The fire has been lit.
Now it is time to create new light.


March 16, 2026

🤫Silence - When Your Voice Is Misused: Why I Am Stepping Back


In my previous open letter to META, I spoke about the ongoing copyright violations affecting my music and reels online. Since then, much more has happened - both in the world and within the communities that claim to stand for Iran and in my own work and in the world around us. The situation in and around Iran has continued to evolve in ways that affect not only one nation of almost ninety million people, but the stability of an entire region.

Many have asked why I have been silent.

The truth is simple: silence is sometimes the only honest response when your voice is being misused.

Over the past months I invested my time, energy, and resources into creating music and visual work meant to give a voice to Iranians inside and outside the country. Yet while doing so, I watched my own reels being downloaded, reposted, and circulated across social media without permission. In several cases the people sharing my work blocked me while continuing to distribute my copyrighted material.

When that happens, something fundamental breaks. Not only trust in the platforms that host our work, but trust in the basic respect between people who claim to share the same cause.

More songs could have been released by now. More messages of solidarity could have been shared. But when your own creative work is taken, reposted, and protected by those who refuse to remove it, it becomes difficult to continue speaking into that same space.

At the same time, the conversations surrounding Iran have once again revealed something deeper that has shaped our history for decades: division. For many years Iranians have struggled not only with political systems but also with a lack of unity among ourselves. In recent weeks that fragmentation has once again become painfully visible.

Different groups promote different visions, different leaders, and different strategies for the future. Meanwhile, the voices of ordinary people - those who simply want dignity, safety, and peace - are often lost in the noise.

Watching these divisions grow while violence and instability spread across the region has been deeply disheartening. Human lives should never become symbols in political games, and no nation deserves to see its people caught between power struggles and competing agendas.

For these reasons I have chosen, for now, to step back from releasing political songs. Silence is not indifference. It is a pause - a moment to protect my work, my values, and my peace of mind.

Another reason for my silence has been the tone of some conversations I have seen online in recent weeks. I have watched posts on social media where people celebrate military actions and publicly thank foreign governments for attacks that are reported to have caused destruction and loss of life, including damage to civilian spaces such as schools and hospitals. 

From a human point of view, I find this deeply troubling. No matter which government is responsible, suffering and the loss of innocent lives should never become something to applaud.

For me, solidarity with Iran has always meant solidarity with its people - not cheering for violence carried out by any power. When I see messages celebrating destruction or treating war as a victory for one side or another, it conflicts with my values and my understanding of humanity. My voice cannot join that chorus. Respect for human life must remain above politics, ideology, or geopolitical alliances.

In the meantime, I will continue working quietly on my catalogue and focusing on music that brings light, strength, and positivity. Music has the power to heal, and that is where I want to place my energy moving forward.

My voice is not gone. It is simply choosing its moment. 

A voice that is misused must sometimes step back in order to remain honest.

Lily Amis


Note: Bandcamp is a platform for purchasing music rather than streaming. For this reason, and to protect my work from unauthorized circulation, the tracks in this album become visible after the album is downloaded.







February 25, 2026

🛑My second Open Letter: I Am Tired of Fighting for My Own Work Online!

I never imagined that promoting my own music would turn into a constant battle to protect it from being copied, reposted, and dismissed as if it never belonged to me in the first place. Despite being registered with BMI and Songtrust, distributed through Tunecore and Bandcamp. Despite having the original mastering of my reels in Canva! THIS IS MADNESS!!!!!!!!!! 

I am an independent songwriter and creator. My music is officially released, registered, and publicly verifiable. Some of my tracks are even listed inside the platform’s own audio libraries. Yet over the past weeks, my original reels have been downloaded and re-uploaded repeatedly by accounts that had no permission to use my work. The same video. The same music. The same creative labor — multiplied without control.

At first, I trusted the system. I followed the reporting processes, submitted links, and documented violations carefully. Some posts were removed. Others were not. In one case, an identical reel was reviewed and described as “different,” leaving me questioning whether independent creators are truly seen or simply processed by automated decisions that overlook context and originality.

The impact goes far beyond frustration. I paused my promotions. I set my account to private. I archived my own original reels to prevent further misuse while copies continued circulating publicly. Instead of focusing on creating new music, I spent days tracking reposts, gathering evidence, and trying to navigate systems that seem designed for scale — not for the lived reality of individual artists.

This experience raises difficult questions. If platforms can recognize songs through digital fingerprints and maintain extensive audio libraries, why do identical re-uploads remain visible for so long? Why does enforcement depend on how persistent a creator is rather than how clearly ownership can be verified?

I am sharing this not only as a personal story, but as a reflection of a broader issue affecting independent creators everywhere. We invest in our work with limited resources, believing that platforms offer both opportunity and protection. When that protection fails, the burden quietly shifts back onto the artist — turning creativity into constant vigilance.

I am not writing this to attack or to create conflict. I am writing because visibility matters. Because creators deserve systems that recognize and protect original work without forcing artists to become investigators of their own copyright. And because trust in digital platforms grows only when artists feel supported, heard, and respected.

I still believe in the power of online communities and in the possibility of fair creative spaces. But that future requires transparency, consistency, and a genuine commitment to protecting those who bring art into the world.

— Lily Amis

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AFTER REPORTING SEVERAL TIMES, NOW I HAVE RECEIVED THIS EMAI. AND NO, IM NOT GOING TO FILL OUT MORE FORMS. SO HERE IS MY PUBLIC EMAIL TO META:

Thank you for your email. We require rights holders to use Meta’s online forms (linked below) to report intellectual property rights violations.

***Your report will not be reviewed unless it is submitted through one of these forms.***

Reporting a Violation of Intellectual Property Rights:


If you have any additional questions about intellectual property, please visit the Intellectual Property section of our Help Centers:




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25. February 2026 - MY EMAIL TO META AFTER SEVERAL REPORTINGS !

Formal Escalation – Ongoing Copyright Infringement, Re-Uploads and Systemic Failure to Protect Original Reels

Dear Meta / Instagram Intellectual Property Team,
 
I am submitting this message as a formal escalation and structured follow-up regarding multiple unresolved copyright violations affecting my original reels and music. If necessary, please forward this escalation to the appropriate policy or legal review team responsible for Rights Manager enforcement.
 
I am the original creator and sole rights holder of the referenced works (music, visuals and editing). My authorship is publicly verifiable through my official releases and channels:
 
Bandcamp:
 
My music catalogue is distributed via Tunecore, registered with BMI, and administered through Songtrust. 70 of my songs — including “0098SOS” — are already available inside Instagram’s own audio library.
 
Despite this, numerous accounts were able to download and re-upload my reels without authorization. I am deeply concerned that these reposts were neither automatically flagged, monetized, nor blocked, even though the platform clearly has access to the digital audio fingerprint of my releases. I am requesting clarification as to why repeated identical uploads were not detected by your systems.
 
Due to the ongoing violations, I was forced to stop paid promotionsrestrict my Instagram account, and archive my own original reels to prevent further misuse while copies remain online. This has significantly disrupted my marketing plans and undermines trust in the platform’s copyright protection mechanisms. I cannot reasonably be expected to act as an investigator and submit endless individual forms while systemic reposting continues.
 
Based on the scale and spread of these reposts, I am certain that additional unauthorized copies exist, including on private accounts. I am aware that your internal systems are capable of identifying, flagging and removing such content, and I request that these internal detection tools be actively applied to locate and address further infringements beyond the links I can publicly access.
 
I rely on Meta Rights Manager and Instagram’s safety infrastructure to protect my work. At this stage I am requesting a coordinated internal review rather than isolated case handling.
 
I respectfully request:
 
• A manual review and escalation of these cases to the appropriate rights-management team
• A formal investigation into why identical audio and video reposts were not automatically detected
• The removal of all remaining unauthorized copies, including those identified through internal detection tools
 
Please inform me clearly which additional documentation, if any, is required so that this matter can be resolved comprehensively. I am no longer able to invest extensive time monitoring and reporting repeated infringements that fall within the platform’s own enforcement capabilities. If these issues cannot be resolved through the current process, I will consider further formal remedies available to rights holders under applicable EU regulations.
 
This experience has significantly affected my trust in the platform’s ability to protect original creators. I hope this escalation leads to a clear resolution and restores confidence in promoting my work on Instagram under reliable copyright protection.
 
Kind regards,
Lily Amis
Writer & Songwriter
Instagram: @LilyAmisMusic
 
 
Below is a structured overview of the affected works and currently visible unauthorized reposts that remain online at the time of writing - Open list of THIEFS: 
 

Shir O Khorschid by Lily Amis  
 
Hamdel O Hamseda by Lily Amis 
 
Iranian Lives Matter by Lily Amis  
 
Prison of Silence by Lily Amis 
 
Ba Hezar Omid by Lily Amis 
 
0098SOS by Lily Amis 
 
 




🛑Showing my solidarity — my Hambastegi — was a huge decision, and today I carry mixed feelings about it!

When the global protests began in January 2026, I felt a deep need to express love, humanity, and support for Iranians both inside and outside the country. Within only a few weeks, I released two full albums: 0098SOS with 15 tracks and Voice4Aazadi with 6 tracks.

These projects were not casual releases. They were built with relentless dedication — countless hours without sleep, significant financial investment, emotional vulnerability, and the determination to document history through lyrics and sound.

Let me be honest about something many people don’t want to hear: in today’s music industry, independent artists make almost no profit. And when I say no profit, I truly mean it. What we invest — time, money, energy, heart — is priceless. So why do it? The only real answer is love.

In the early weeks, before internet access returned fully to Iran, I received heartfelt messages from people across the diaspora thanking me for giving them a voice. But alongside appreciation came criticism that ignored artistic freedom: comments about flags, maps, or symbolic choices in my visuals — as if art must follow someone else’s political checklist. Artistic expression is not a committee project. It is a personal right.

Once internet access resumed, the conversation shifted. My inbox filled with constant requests: “Where can I find the song?” “Send me the reel.” “Can you give me the track?” Even though my store link — LilyAmis.Bandcamp.com — is clearly visible throughout the reels. At first it was overwhelming; eventually it became exhausting. Some direct messages crossed the line into disrespect, forcing me to step back from communication entirely to protect my mental and emotional well-being.

One of my reels alone brought more than 7,000 new followers and millions of impressions. On paper, that sounds like success. In reality, it meant nothing. Followers are not automatically supporters. Followers are not buyers, not collaborators, not a community built on respect. For an entire month, my album was available for free download. Streams increased rapidly — yet when I introduced a price to comply with Bandcamp policy and protect my work, only a small number of genuine music lovers chose to support it. Others complained that streaming was no longer available, forgetting that Bandcamp is not Spotify.

Then came the most difficult discovery. By pure chance, I found hundreds of my original reels re-posted on personal Instagram pages without my permission. Let me be clear: stealing is not solidarity. Re-uploading an artist’s work without consent is not appreciation — it is a violation of trust and copyright.

Suddenly, after weeks of creative work, I found myself acting as a detective, reporting reel after reel to Meta for copyright infringement. When I politely asked some accounts to remove my work, the responses ranged from insults to instant blocking. Imagine seeing your art placed next to low-quality content, unrelated feeds, or even imagery associated with oppressive figures — stripped of context, stripped of respect. That experience was deeply unsettling and upsetting. Respect is something else. Hambastegi is something else.

To protect my work, I had to make painful decisions: switching my Instagram account from public to private, archiving my own reels, and submitting multiple copyright claims just to prove that I am the original creator. What began as an act of solidarity has left me emotionally drained — to the point where I no longer follow the news as closely, because the cost to my mental health became too high.

So what does the future look like?

I will never stop writing or producing music - asking me to stop creating would be like asking me to stop breathing. But I will redefine my boundaries. My work will reach those who truly value and respect it, not a massive audience that treats creativity as disposable content.

My marketing strategy will change. I will no longer invest energy into platforms that fail to protect creators or respect artistic ownership. If new music arrives, it will come on my terms — within a smaller, more intentional circle built on mutual appreciation.

This is not the end of my voice. It is simply the end of giving it away without protection. My work is not made for disrespectful people who think creativity is something they can take without permission. Re-uploading my art, ignoring my boundaries, and responding with insults instead of respect is not solidarity - it is theft. And I refuse to pretend otherwise.

What hurts the most is not only the copyright violation, but the loss of basic manners and appreciation. Years of political pressure and social damage have clearly shaped how people interact. Instead of empathy, I encountered entitlement. Instead of respect for artistic labor, I saw the assumption that my work exists for free consumption — no credit, no consent, no accountability.

I created these albums out of love and solidarity. I invested sleepless nights, personal finances, and emotional energy to give a voice through music. Yet some responses crossed a line that no artist should have to tolerate. Being supportive does not mean accepting disrespect. Caring does not mean allowing yourself to be exploited.

Yes, I have strong political opinions. I believe leadership, history, and the direction of a nation matter. I believe dignity, education, and responsibility in leadership should never be taken for granted. But my anger today comes from a personal place: watching my art be stripped of context, reposted without permission, and used in ways that contradict everything I stand for.

Right now, I feel deeply disillusioned. What started as an act of solidarity has left me questioning where respect for artists - and for each other - has gone. I am allowed to feel angry. I am allowed to set boundaries. And I am allowed to say that love for a culture does not mean silence when that love is abused.

This is not me giving up on music. This is me choosing self-respect over endless tolerance. This is not the end of my voice. It is simply the end of giving it away without protection.