February 22, 2026

⚠️An Open Letter to Mark Zuckerberg and Meta!

“Copyright theft of reels and missing protection on social platforms.”
“Copyright theft of reels and missing protection on social platforms.”


“My Open Letter About Copyright Theft of My Reels and Ongoing Copyright Violations on Meta and the lack of support”

I am writing this as an independent artist, songwriter, and creator who believes in the power of music to support people through difficult times. In recent weeks, I released two albums to stand in solidarity with the Iranian community worldwide — using my voice and my art to encourage hope, unity, and resilience.

For the first time in years, I invested my own money into paid promotion across Europe, North America, Canada, and Australia so that my music could reach people who needed it most. I expected challenges. What I did not expect was the scale of copyright violations I am currently facing across Meta platforms.

Shortly after my reels began reaching audiences, multiple accounts downloaded and re-uploaded my videos without permission. This happened even though my settings do not allow downloads. Since then, I have submitted several copyright reports and provided direct links to the infringing content. While my first reports were processed, more recent ones remain unresolved, leaving my original work circulating without authorization.

Out of respect and professionalism, I also reached out directly to the accounts involved, asking them to remove my copyrighted material. Some ignored the request; others responded dismissively. Publicly addressing the issue has not resolved it either. As an independent creator, this has left me feeling unprotected on the very platforms that encourage us to share our work.

Because of the ongoing violations, I was forced to stop my paid promotions and restrict my own account activity to prevent further misuse of my content. This is counterproductive not only for me as a creator who wants to share her work, but also for Meta — a platform that was already being paid to promote that same content. It should not make more sense for creators to withdraw from sharing than to feel protected while contributing to the platform’s ecosystem.

I applied for account verification in the hope that stronger creator protections would help prevent ongoing misuse of my content. My request was denied within a day. At the same time, many of the tools that appear to offer stronger protection are now part of paid subscription packages. As an independent artist who is not yet generating income from my music and who does not have the backing of a major label, paying for basic protection of my intellectual property is simply not sustainable. Copyright protection should be accessible to all creators, regardless of financial resources.

This letter is not written out of hostility — it is written out of urgency.

Independent creators are the backbone of social platforms. We bring culture, stories, and audiences. We invest our time, creativity, and often our own finances into building communities here. In return, we need reliable and timely enforcement of copyright protection that does not depend on financial status, verification badges, or subscription tiers.

I am asking Meta to:

• Ensure timely review and enforcement of copyright reports submitted by independent creators.

• Provide clearer, accessible tools to prevent unauthorized downloading and reposting of original content.

• Strengthen transparency around verification and protection features so that emerging artists are not left behind.

• Recognize that creative work — regardless of follower count or revenue — deserves equal protection.

I will continue creating, sharing, and standing up for my work and for the rights of independent artists everywhere. I hope Meta will demonstrate that it stands with creators not only in words, but in action.

Sincerely,
An Independent Artist
Lily Amis (Instagram: @LilyAmisMusic)
www.LilyAmis.com

“Respect original creators. Support the source.”


February 21, 2026

🔒Bandcamp and how downloads unlock full access while supporting independent music!


Dear listeners,

You may have noticed that the 15 tracks on my album 0098SOS and the 6 tracks on my album Voice4Azadi are currently locked for streaming. This decision was not made lightly. Bandcamp is designed to support artists through downloads, but recently the album was being used mainly as a free streaming source, which goes against both the spirit of the platform and the respect for independent creative work.

To protect the music and keep sharing it sustainably, the full tracks will unlock once the album is downloaded. Thank you for understanding and for supporting independent art in a way that allows it to continue.

With appreciation,
Lily Amis



Liebe Hörerinnen und Hörer,

Vielleicht habt ihr bemerkt, dass die 15 Tracks meines Albums 0098SOS und die 6 Tracks meines Voice4Azadi Albums derzeit nicht mehr frei streambar sind. Diese Entscheidung ist mir nicht leicht gefallen. Bandcamp wurde geschaffen, um Künstlerinnen und Künstler durch Downloads zu unterstützen, doch zuletzt wurde das Album hauptsächlich als kostenlose Streaming-Quelle genutzt – was weder dem Gedanken der Plattform noch dem Respekt gegenüber unabhängiger kreativer Arbeit entspricht.

Um die Musik zu schützen und sie weiterhin nachhaltig teilen zu können, werden die vollständigen Tracks nach dem Download des Albums freigeschaltet. Vielen Dank für euer Verständnis und eure Unterstützung unabhängiger Kunst.

Alles Liebe,
Lily Amis

February 19, 2026

🌟Legacy’s Time Travel – Audiobook Series 4 English & German

 


🌟 Legacy’s Time Travel – Audiobook Series 4 (English)

Legacy’s Time Travel continues its journey through history with Audiobook Series 4, inviting listeners of all ages to explore the quiet power of dreams, kindness, and imagination.

As always, the story begins in a moonlit library, where glowing books wait to be opened. Legacy — a small King Charles Cavalier Spaniel with a very big heart — gently taps another magical book and steps once more into the flow of time.

In this fourth series, Legacy meets three unforgettable figures whose lives remind us that dreams are never meant to be carried alone:

  • King Ludwig II of Bavaria, who built beauty in a world that did not always understand him

  • Princess Diana, whose kindness created connection across borders and generations

  • Walt Disney, who taught the world to believe in magic — and that dreams need both imagination and support to survive

Through warm conversations, gentle humor, and thoughtful questions, Legacy discovers a new layer of wisdom:

Dreams do not belong only to their dreamers.
Kindness creates connection.
And connection never truly disappears.

This series reminds us that legacy is not about titles, castles, or fame.
It lives in shared dreams, in quiet courage, and in the way one person’s light is carried forward by another.

To accompany Audiobook Series 4, the Legacy music journey continues with Song 4: Legacy – The Dreamers’ Light — a soundtrack inspired by the emotional heart of these stories. The music, like the audiobooks, is timeless and warm, created to be felt long after the last word does its work.

Whether you listen with your children, return to these stories on your own, or discover them as moments of reflection, Series 4 is an invitation to remember:

You never dream alone.
And we all can leave a legacy.

Welcome back to Legacy’s Time Travel. 🐾✨



🌟 Legacys Zeitreisen – Hörbuchreihe 4 (Deutsch)

Legacys Zeitreisen setzt seine Reise durch die Zeit mit Hörbuchreihe 4 fort und lädt Kinder wie Erwachsene dazu ein, die stille Kraft von Träumen, Güte und Fantasie neu zu entdecken.

Wie immer beginnt alles in einer mondbeschienenen Bibliothek, in der Bücher sanft leuchten und darauf warten, geöffnet zu werden. Legacy — ein kleiner King-Charles-Cavalier-Spaniel mit einem sehr großen Herzen — berührt ein weiteres magisches Buch und tritt erneut in den Strom der Zeit.

In dieser vierten Reihe begegnet Legacy drei außergewöhnlichen Persönlichkeiten, deren Leben uns daran erinnern, dass Träume niemals allein getragen werden müssen:

  • König Ludwig II. von Bayern, der Schönheit erschuf, auch wenn die Welt ihn nicht immer verstand

  • Prinzessin Diana, deren Güte Verbindung über Grenzen und Generationen hinweg schuf

  • Walt Disney, der uns lehrte, an Magie zu glauben — und daran, dass Träume sowohl Fantasie als auch Unterstützung brauchen

In warmen Gesprächen, mit leisem Humor und achtsamen Fragen entdeckt Legacy eine neue, tiefe Erkenntnis:

Träume gehören nicht nur ihren Träumern.
Güte schafft Verbindung.
Und Verbindung verschwindet niemals wirklich.

Diese Reihe zeigt, dass Vermächtnis nichts mit Titeln, Schlössern oder Berühmtheit zu tun hat. Es lebt in geteilten Träumen, in stillem Mut und darin, wie das Licht eines Menschen von anderen weitergetragen wird.

Begleitet wird Hörbuchreihe 4 von Song 4: Legacy – The Dreamers’ Light — einem Musikstück, das aus dem emotionalen Kern dieser Geschichten entstanden ist. Wie die Hörbücher ist auch die Musik zeitlos und warm — geschaffen, um nachzuklingen, lange nachdem die letzte Seite umgeblättert wurde.

Ob ihr diese Geschichten gemeinsam mit euren Kindern hört, für euch selbst entdeckt oder als kleine Auszeiten nutzt — Serie 4 lädt dazu ein, sich zu erinnern:

Du träumst nie allein.
Und wir alle können ein Vermächtnis hinterlassen.

Willkommen zurück bei Legacys Zeitreisen. 🐾✨


February 18, 2026

✨Catwalk Lights: A Runway Music Album for Global Fashion Weeks!


Catwalk Lights: A Soundtrack for the Global Fashion Week Circuit

Every year, fashion moves faster than the world realizes.
By the time most people notice the collections, the industry has already walked on.

February is the heart of it all.

Within a matter of weeks, the global fashion circuit unfolds across Berlin, Copenhagen, New York, London, Milan, Paris, Tokyo, and Dubai - a compressed, high-intensity season where shows, presentations, fittings, and fashion films happen almost simultaneously. Music in this environment must be precise, adaptable, and immediately usable.

Catwalk Lights was created for exactly this moment.


Music Designed for the Runway - Not the Charts

Catwalk Lights is not a traditional music album.
It is a runway-focused electronic collection, designed specifically for fashion shows, fashion films, and editorial presentations.

Each track represents a major fashion city, translating its rhythm, attitude, and movement into clean, catwalk-ready electronic sound. The music is built around controlled tempo (124–128 BPM), minimal vocals, and structured arrangements that support walking, pacing, and visual focus - without overpowering the collection.

This is functional fashion sound:
confident, restrained, and adaptable.


A City-by-City Fashion Circuit

The album follows the logic of the global fashion calendar:

  • Berlin - raw, underground, techno-leaning control

  • Copenhagen - minimal, sustainable, calm modernity

  • New York - ambition, pace, and spotlight energy

  • London - editorial edge and experimental structure

  • Milan - luxury, tailoring, and quiet authority

  • Paris - cinematic elegance and haute couture calm

  • Tokyo - futuristic precision and conceptual clarity

  • Dubai - modern opulence, scale, and global luxury

  • Rome - heritage, architectural presence, and timeless design

  • Pose To The Beat - an uplifting EDM track created for photoshoots

Each track is designed to stand alone for city-specific use, while together they form a coherent global runway system.


February Moves Fast - Music Must Be Ready

With most major fashion weeks concentrated in late January and February, designers and show producers don’t have time to search endlessly for music. They need tracks that are:

  • pre-cleared

  • professionally structured

  • easy to loop, edit, and adapt

  • internationally usable

Catwalk Lights answers that need by offering a curated, ready-to-use fashion soundtrack - created with the pace of the industry in mind.


A Universal Finale: Catwalk Lights

The album concludes with “Catwalk Lights”, a city-neutral runway track designed for universal use. Free of geographical references, it focuses purely on movement, light, and presence - making it adaptable for any show, presentation, or fashion film, anywhere in the world.


For Designers, Creatives, and Fashion Media

Catwalk Lights is created for:

  • fashion designers

  • show producers

  • creative directors

  • stylists

  • fashion filmmakers

  • music supervisors

It is not background music.
It is runway infrastructure.


Availability

The full Catwalk Lights album is available on Bandcamp, with individual tracks also accessible for city-specific use. All music is original, professionally registered, and available for licensing inquiries via direct contact.

When fashion moves at the speed of February,
music has to be ready before the lights go on.

Catwalk Lights walks first.



February 13, 2026

🗼Azadi Tower: From Shahyad to Freedom — The History Behind Iran’s Most Powerful Symbol

A monument built for a king, renamed by a revolution, and reclaimed by generations searching for freedom.

Some buildings are landmarks.
Others become witnesses.

Azadi Tower has stood through monarchy, revolution, silence, and resistance — changing names but never losing its presence.

Today it appears in reels, protests, memories, and art not because it belongs to power, but because people keep rewriting what it means.


The History of Azadi Tower: From Shahyad to Azadi

Few monuments in Iran carry as many layers of meaning as the Azadi Tower in Tehran.
For some, it represents national pride.
For others, revolution, loss, or resistance.
And today, it has become a visual symbol used by artists, activists, and storytellers trying to make sense of Iran’s past and present.

But what is this tower really — and why does it matter so much?


When Was Azadi Tower Built?

The structure was completed in 1971, during the reign of Mohammad Reza Shah Pahlavi. It was originally called Shahyad Tower, meaning “Memorial to the Shah.”

The monument was commissioned as part of celebrations marking 2,500 years of the Persian Empire. At that time, the Iranian government wanted a modern landmark that blended ancient Persian design with contemporary architecture — something that could symbolize Iran stepping into modernity while honoring its long history.

The young Iranian architect Hossein Amanat won a national competition to design it. He was only in his twenties when his vision became one of Tehran’s most recognizable structures.


What Was the Building For?

Unlike many towers, Azadi was never meant to be a defensive structure or an office building.

It was designed as a ceremonial gateway — a monument welcoming visitors entering Tehran from the west.

Beneath the tower lies a small museum complex and exhibition space. The underground halls were originally intended to showcase Iranian culture, history, and technological progress.

So in its earliest form, the tower functioned less like a skyscraper and more like a symbolic entrance to a modern nation.


The Architectural Meaning

One of the reasons Azadi Tower feels timeless is its unique fusion of styles:

  • The curved arch echoes Sassanid-era Persian architecture

  • The geometric lines reference Islamic design

  • The clean white marble gives it a modern, almost futuristic silhouette

This blending of eras was intentional.

The monument tried to say:

Iran is ancient, Islamic, and modern — all at once.

That layered identity is exactly why the tower still resonates today.


From Shahyad to Azadi: The Name Change

After the Iranian Revolution in 1979, the meaning of the monument changed overnight.

The name Shahyad Tower — tied directly to the monarchy — was replaced with Azadi Tower, meaning Freedom.

Even the surrounding square was renamed from Shahyad Square to Azadi Square.

This renaming transformed the structure from a symbol of royal power into a public emblem of revolution and national identity.

Ironically, a monument built to celebrate a king became one of the most recognizable backdrops for protest and political expression.


Why Azadi Tower Became So Symbolic

Azadi Tower sits at a crossroads — physically and emotionally.

Over decades it has been:

  • A stage for state celebrations

  • A gathering place for protests

  • A landmark in state media imagery

  • A symbol used by the Iranian diaspora

Because of this, the tower doesn’t belong to one narrative.
It carries multiple, conflicting meanings depending on who is looking at it.

For some, it represents hope and freedom.
For others, it represents promises that were never fulfilled.


Why Artists Keep Returning to Azadi

Today, many artists and creators use Azadi Tower in their work because it is instantly recognizable yet emotionally complex.

It is not just a building.

It is:

  • a memory

  • a witness

  • a silent observer of decades of change

Using Azadi in visual storytelling connects personal expression to a larger historical timeline — which is exactly why it continues to appear in modern reels, films, and political art.


Final Thought

The story of Azadi Tower is not fixed.

It began as Shahyad — a monument to monarchy.
It became Azadi — a symbol of revolution.
And today, it stands somewhere in between: a reminder that architecture can outlive the meanings imposed on it.

Perhaps that is why it feels so powerful on screen.

The tower does not speak.
But everyone projects a story onto it.



February 12, 2026

🤐When Journalism Sounds Like Indifference: Why Many Iranians No Longer Trust BBC Coverage!


When Journalism Sounds Like Indifference: The Tehran Report That Broke Trust

There are moments when journalism does not feel neutral.
It feels empty.

Watching international coverage from Tehran during the regime’s anniversary, many Iranians did not feel informed - they felt erased.

The cameras were there.
The correspondent was there.
But humanity was missing.


Talking About Missiles While Ignoring Graves

Coverage focused heavily on nuclear talks, sanctions, and regional missiles.

Words like “security,” “stability,” and “geopolitics” filled the air.

But where were the stories of mothers searching for their children?
Where were the names?
Where were the faces?

When human suffering is reduced to a background detail behind diplomatic analysis, journalism stops sounding like witness - and starts sounding like strategy.


Reporting Tragedy Like the Weather

One of the most disturbing moments for many viewers was hearing the fact that some families must pay large sums to retrieve the bodies of their loved ones — delivered in a tone so calm it felt detached from reality.

Not outraged.
Not grieving.
Just… procedural.

As if describing rain or snowfall. 

This is not about dramatic performance.
It is about basic human weight.

When a journalist speaks about death without emotion, the message received is simple:

These lives do not change the story.


The Fight Over Numbers Is Not Just Statistics

Casualty figures remain deeply contested.
Official sources present lower estimates.
Independent accounts suggest far higher numbers.

But repeating the smallest figure without clearly emphasizing the dispute does more than inform - it frames reality.

For people who have buried friends and family, it feels like a quiet form of denial.

Not through lies, but through omission.


Why Some Iranians Say “Ayatollah BBC”

The nickname did not appear overnight.

It grew from years of frustration with coverage that many viewers feel mirrors state narratives more closely than lived experience.

Whether fair or unfair, the phrase reflects a collapse of trust.

And trust is journalism’s only real currency.


Neutrality Is Not the Same as Humanity

Journalists often defend calm delivery as professionalism.

But professionalism without empathy risks sounding like compliance.

Standing in Tehran, surrounded by tightly controlled imagery, speaking about politics while human suffering remains secondary — that is not neutrality.

That is distance.

And distance, in moments of mass trauma, can feel like betrayal.


This Is Bigger Than One Reporter

This is not a personal attack.

It is a question about a system where:

  • Access to authoritarian regimes depends on careful language

  • Human stories become footnotes to geopolitical analysis

  • And the tone of reporting can unintentionally normalize brutality

When journalism becomes too cautious, it begins to resemble the silence it claims to observe.


Final Thought

Iranians are not asking foreign media to shout slogans.

They are asking for something far simpler:

Speak about the dead like they mattered.

When BBC senior correspondent Lyse Doucet reported from Tehran with a voice untouched by visible grief, many viewers did not hear neutrality — they heard indifference. Human loss sounded reduced to routine, delivered with the same calm cadence as a weather forecast while families were still burying their dead.

February 11, 2026

💚🤍❤️Why the World Is Silent About Iran — And Why That Silence Is Not Accidental!


Why the World Is Silent About Iran

And Why That Silence Is Not an Accident

One of the most painful questions people inside Iran keep asking is this:

“If what’s happening to us is so obvious, so brutal, so documented—why is the world silent?”

Where are the international media outlets?
Where are the human rights organizations?
Where are the charities, the NGOs, the people whose entire job is supposed to be speaking up?

The uncomfortable answer is this:
Silence does not always mean ignorance. Often, it means permission was not given.

Human Rights Organizations Are Not as Independent as They Look

Many international human rights organizations present themselves as neutral, fearless watchdogs. In reality, a large number of them are funded directly or indirectly by governments—the same governments that balance human rights against oil, diplomacy, weapons contracts, regional stability, and political convenience.

Funding shapes priorities.
Funding shapes language.
Funding shapes what can be said—and what must remain “under review.”

When governments decide that speaking loudly about Iran is inconvenient, organizations dependent on those governments learn to speak softly, slowly, or not at all.

This isn’t always written down. No one needs to say, “Stay silent or else.”
Everyone already understands the rules of the game.

Media Silence Is a Business Decision

International media is not just journalism—it is an industry.

Editors worry about:

  • Access to officials

  • Advertising pressure

  • Political backlash

  • Visa restrictions

  • “Audience fatigue”

  • And, most importantly, staying on the right side of power

Iran doesn’t fit neatly into an easy headline cycle. Covering massacres without offering a clean geopolitical solution makes people uncomfortable. And discomfort doesn’t sell as well as digestible outrage.

So stories get buried.
Headlines get softened.
Language gets sanitized.

“Killed” becomes “died.”
“Executed” becomes “sentenced.”
“Massacre” becomes “clashes.”

Words matter. Silence often begins with word choice.

The Brutal Truth: Many Are Just Employees

This part is hard to hear, but it must be said.

Many people inside these organizations are not villains.
They are employees.

They have:

  • Rent to pay

  • Families to feed

  • Careers to protect

  • Contracts to renew

Speaking out too loudly doesn’t make you brave in these systems—it makes you unemployable.

So they convince themselves:

  • “It’s complicated.”

  • “We need more verification.”

  • “Now is not the right time.”

  • “We’re working behind the scenes.”

And while they wait for the “right time,” people in Iran are buried.

Silence Does Not Mean They Don’t Know

It Means They Chose Safety Over Truth

Let’s be very clear:
The world knows what is happening in Iran.

There are videos. Names. Faces. Dates. Graves.

Silence is not caused by lack of information.
It is caused by lack of courage at the institutional level.

Institutions protect themselves first.
Human lives come second.

So What Does This Mean for Iranians?

It means one painful but empowering truth:

Waiting for permission from international institutions is a dead end.

Change has never come because organizations were polite enough to care.
It comes because people refuse to be erased—even when no one is watching.

History does not remember the NGOs that stayed “neutral.”
It remembers the voices that refused to shut up.

Final Thought

If you feel abandoned, you’re not imagining it.
If you feel betrayed, you’re not wrong.

But remember this:
Silence from powerful institutions does not define the value of Iranian lives.

It only exposes the moral bankruptcy of systems that prefer stability over justice—and paychecks over principles.

And once you see that clearly, you stop asking why they are silent…
and start understanding who has always had to speak anyway.

February 05, 2026

💚🤍❤️ A Nation Held Hostage While the World Looks Away!

Iranian women and protesters demanding freedom during nationwide protests in Iran under the slogan Zan, Zendegi, Azadi.

Iran is not collapsing — it is being crushed, while the world watches in silence and calls it diplomacy.

The past weeks have been emotionally exhausting.

As someone with an excess of empathy — a blessing and a curse — I have struggled to find the right words. But silence feels like betrayal, so here they are.

What we are witnessing in Iran right now is not just tragic — it is grotesque.
Systematic violence, executions, corruption, and open crimes against civilians are no longer hidden. They are happening in plain sight. A regime built on fear is ruling through brutality, while global leaders watch, calculate, and look away. Indifference, at this scale, is not neutrality. It is complicity.

Let me be very clear.

Iranians are not helpless victims waiting to be saved.
They are one of the most resilient, emotionally intelligent, creative, and proud nations on this planet. A people shaped by centuries of culture, poetry, resistance, and survival. We know exactly what we want — and we do not need foreign governments to decide our future for us.

For nearly five decades, the wellbeing of the Iranian people has been irrelevant to the world’s powerful. Protests came and went. Blood was spilled. Voices were silenced. Nothing changed — not because Iranians lacked courage, but because global leaders chose economic interests over human lives.

Now, suddenly, all eyes are on Iran — led by a so-called world leader who is, first and foremost, a businessman. His language is deals, leverage, and profit. If humanity were truly his concern, he would start by treating his own people with dignity. Instead, his country is more divided than it has been in generations.

And speaking of division — yes, Iranians themselves are divided right now.

There are those who benefit from the current regime and want no change.
There are those who support a return to monarchy under Reza Pahlavi.
And there are those who want a democratic republic.

But here is what outsiders consistently fail to understand:
Despite political differences, the core demand is the same.

Basic human rights.
Freedom.
A normal life.

Zan, Zendegi, Azadi.
Mard, Mihan, Abadi.

Woman. Life. Freedom.
Man. Homeland. Prosperity.

Iranians do not want foreign intervention disguised as salvation. History has taught us better. Iraq. Syria. Afghanistan. Libya. Decades later, these countries are still paying the price for “liberation” that primarily served foreign interests, weapons industries, and geopolitical games.

We refuse to become the next experiment.

The best possible future for Iran is painfully simple — and that alone says everything about how low the bar has been set.

A country that does not execute its own people for dissent.
A country where torture is not policy.
A country where sanctions do not starve civilians while elites thrive.
A country where citizens are not treated as criminals for existing.
A country where Iranians can travel freely without being humiliated for their passport, name, or religion.

These are not luxuries. These are basic human rights.

Such a future requires leadership that is patriotic, unifying, and future-oriented — leadership that understands the trauma of the past 47 years and helps a stolen generation reclaim what was taken from them. Iran has the potential to become a modern, dignified nation again — rooted in its ancient identity without being imprisoned by it. A place where parents and grandparents can finally breathe, perhaps for the first time in their lives.

The worst-case scenario is far darker.

Foreign powers — the United States, Israel, Turkey, and others — intervening militarily without Iranian unity or legitimate Iranian leadership. History would repeat itself. After World War II, Germany was “liberated” from a brutal regime — and then divided by global powers who claimed moral authority while pursuing dominance. After World War II ended, the United States and the Soviet Union took control over different parts of Germany, turning the country into a geopolitical chessboard. What followed was the construction of the Berlin Wall in 1961, a brutal symbol of division that stood for 28 years, separating families, friends, and an entire nation until its fall in 1989.

This is the scenario I fear for Iran.

Not because it sounds dramatic — but because it fits the pattern.

These leaders do not suddenly care about Iranian lives. They never have. For decades, Iran was ignored, while Iranians abroad were stereotyped, discriminated against, and subjected to racism because of their nationality or assumed beliefs. That is not opinion — it is lived reality for millions.

This is why Iranians across the world are now in the streets — from Sydney to Los Angeles, from London to Berlin, Paris, Toronto, Hamburg, and Munich — chanting the name Pahlavi. And this, conveniently, is what mainstream media largely refuses to show.

And yet, amid this unfolding catastrophe, there is an equally disturbing absence of global media focus. In recent days, major news networks around the world have repeatedly dissected a single violent incident in Minnesota, showing every angle of the tragedy, analyzing the brutality frame by frame and centering it in continuous coverage. Meanwhile, Iran’s bloody crackdown — with estimates from independent sources suggesting tens of thousands of deaths and mass killings across dozens of cities — barely registers on the front pages

The world’s media apparatus seems far more willing to magnify one tragic killing in the United States than to comprehend the systematic slaughter of protestors in Iran, despite figures ranging up to around 30,000 victims according to health officials and activist networks — a toll that dwarfs almost every contemporary crisis yet receives only fragmented attention outside specialized outlets. 

This omission becomes even more disturbing when placed next to how global media chooses its priorities.

My fear goes further.

I fear Iran is becoming a testing ground — not for democracy, but for weapons. 
History remembers what happened in 1945, when the world decided that one nation would serve as a demonstration of power. Like America has done it back in 1945 with Japan — when the cities of Hiroshima and Nagasaki were hit with atomic bombs. In a matter of seconds, over 200,000 civilians were killed, entire cities were erased, generations were poisoned by radiation, and survivors suffered lifelong physical and psychological damage. The nuclear fallout did not end with the explosion — it haunted Japan for decades and remains one of the darkest examples of humanity sacrificing civilians for geopolitical dominance.

Today, military bases are being built around Iran. Young soldiers are being deployed. Billions are being poured into weapons systems. Iran risks becoming a geopolitical guinea pig — reduced from a civilization to a battlefield.

And once the damage is done?
The country could be divided, exploited, drained — and eventually abandoned, just like others before it.

That would not only mark the spiritual death of Iran.
It would signal something even worse: that humanity has learned absolute nothing at all and that evil is stronger than humanity. 


February 04, 2026

💚🤍❤️Une nation prise en otage pendant que le monde détourne le regard!


Une nation prise en otage pendant que le monde détourne le regard

L’Iran ne s’effondre pas — il est écrasé, pendant que le monde observe en silence et appelle cela de la diplomatie.

Les dernières semaines ont été émotionnellement épuisantes.

En tant que personne dotée d’un excès d’empathie — à la fois une bénédiction et une malédiction — j’ai eu du mal à trouver les mots justes. Mais le silence ressemble à une trahison, alors les voici.

Ce que nous observons actuellement en Iran n’est pas seulement tragique — c’est grotesque.
La violence systématique, les exécutions, la corruption et les crimes ouverts contre les civils ne sont plus dissimulés. Ils se déroulent au grand jour. Un régime fondé sur la peur gouverne par la brutalité, tandis que les dirigeants mondiaux observent, calculent et détournent le regard. L’indifférence, à cette échelle, n’est pas de la neutralité. C’est de la complicité.

Soyons très clairs.

Les Iraniens ne sont pas des victimes impuissantes attendant d’être sauvées.
Ils constituent l’une des nations les plus résilientes, émotionnellement intelligentes, créatives et fières de cette planète. Un peuple façonné par des siècles de culture, de poésie, de résistance et de survie. Nous savons exactement ce que nous voulons — et nous n’avons pas besoin que des gouvernements étrangers décident de notre avenir à notre place.

Depuis près de cinq décennies, le bien-être du peuple iranien est sans importance pour les puissants de ce monde. Les manifestations se sont succédé. Le sang a coulé. Les voix ont été réduites au silence. Rien n’a changé — non pas par manque de courage des Iraniens, mais parce que les dirigeants mondiaux ont choisi les intérêts économiques plutôt que les vies humaines.

Aujourd’hui, soudainement, tous les regards se tournent vers l’Iran — dirigé par un soi-disant leader mondial qui est avant tout un homme d’affaires. Son langage est celui des accords, des rapports de force et du profit. S’il se souciait réellement de l’humanité, il commencerait par traiter son propre peuple avec dignité. Au lieu de cela, son pays est plus divisé que jamais depuis des générations.

Et en parlant de divisions — oui, les Iraniens eux-mêmes sont aujourd’hui divisés.

Il y a ceux qui bénéficient du régime actuel et ne veulent aucun changement.
Il y a ceux qui soutiennent un retour à la monarchie sous Reza Pahlavi.
Et il y a ceux qui aspirent à une république démocratique.

Mais voici ce que les observateurs extérieurs ne comprennent pas, encore et encore :
malgré les divergences politiques, la revendication fondamentale est la même.

Les droits humains fondamentaux.
La liberté.
Une vie normale.

Zan, Zendegi, Azadi.
Mard, Mihan, Abadi.

Femme. Vie. Liberté.
Homme. Patrie. Prospérité.

Les Iraniens ne veulent pas d’une intervention étrangère déguisée en sauvetage. L’histoire nous a déjà donné ses leçons. L’Irak. La Syrie. L’Afghanistan. La Libye. Des décennies plus tard, ces pays paient encore le prix d’une « libération » qui a principalement servi des intérêts étrangers, des industries de l’armement et des jeux géopolitiques.

Nous refusons de devenir la prochaine expérience.

Le meilleur avenir possible pour l’Iran est douloureusement simple — et cela seul montre à quel point les attentes ont été abaissées.

Un pays qui n’exécute pas son propre peuple pour dissidence.
Un pays où la torture n’est pas une politique.
Un pays où les sanctions n’affament pas les civils pendant que les élites prospèrent.
Un pays où les citoyens ne sont pas traités comme des criminels pour le simple fait d’exister.
Un pays où les Iraniens peuvent voyager librement sans être humiliés à cause de leur passeport, de leur nom ou de leur religion.

Ce ne sont pas des privilèges. Ce sont des droits humains fondamentaux.

Un tel avenir exige un leadership patriotique, rassembleur et tourné vers l’avenir — un leadership qui comprend le traumatisme des 47 dernières années et aide une génération spoliée à récupérer ce qui lui a été volé. L’Iran a le potentiel de redevenir une nation moderne et digne — enracinée dans son identité ancienne sans en être prisonnière. Un lieu où parents et grands-parents peuvent enfin respirer librement, peut-être pour la première fois de leur vie.

Le pire scénario est encore plus sombre.

Des puissances étrangères — les États-Unis, Israël, la Turquie et d’autres — intervenant militairement sans unité iranienne ni leadership iranien légitime. L’histoire se répéterait. Après la Seconde Guerre mondiale, l’Allemagne a été « libérée » d’un régime brutal — puis divisée par des puissances mondiales revendiquant une autorité morale tout en poursuivant leur domination. Après la fin de la guerre, les États-Unis et l’Union soviétique ont pris le contrôle de différentes parties de l’Allemagne, transformant le pays en échiquier géopolitique. S’ensuivit la construction du mur de Berlin en 1961 — symbole brutal de division, resté debout pendant 28 ans, séparant familles, amis et une nation entière jusqu’à sa chute en 1989.

C’est ce scénario que je crains pour l’Iran.

Non pas parce qu’il est dramatique — mais parce qu’il correspond à un schéma bien connu.

Ces dirigeants ne se soucient pas soudainement des vies iraniennes. Ils ne l’ont jamais fait. Pendant des décennies, l’Iran a été ignoré, tandis que les Iraniens vivant à l’étranger étaient stéréotypés, discriminés et confrontés au racisme en raison de leur nationalité ou de croyances présumées. Ce n’est pas une opinion — c’est une réalité vécue par des millions de personnes.

C’est pourquoi des Iraniens du monde entier descendent aujourd’hui dans les rues — de Sydney à Los Angeles, de Londres à Berlin, Paris, Toronto, Hambourg et Munich — en scandant le nom Pahlavi. Et c’est précisément ce que les médias dominants choisissent, bien commodément, de ne pas montrer.

Et pourtant, au cœur de cette catastrophe en cours, on observe une absence tout aussi troublante de l’attention médiatique mondiale. Ces derniers jours, de grandes chaînes d’information internationales ont disséqué à répétition un seul incident violent dans le Minnesota, montrant chaque angle de la tragédie, analysant la brutalité image par image et le plaçant au centre d’une couverture continue. Pendant ce temps, la répression sanglante en Iran — avec des estimations provenant de sources indépendantes évoquant des dizaines de milliers de morts et des massacres dans des dizaines de villes — apparaît à peine en une des journaux.

L’appareil médiatique mondial semble bien plus disposé à amplifier un meurtre tragique aux États-Unis qu’à appréhender l’abattage systématique de manifestants en Iran, malgré des chiffres atteignant environ 30 000 victimes selon des responsables de la santé et des réseaux d’activistes — un bilan qui dépasse presque toutes les crises contemporaines, tout en ne recevant qu’une attention fragmentée en dehors de médias spécialisés.

Cette omission devient encore plus troublante lorsqu’on la compare aux priorités que les médias mondiaux choisissent de mettre en avant.

Ma crainte va encore plus loin.

Je crains que l’Iran ne devienne un terrain d’expérimentation — non pas pour la démocratie, mais pour les armes.

L’histoire se souvient de l’année 1945, lorsque le monde décida qu’un pays servirait de démonstration de puissance. Comme les États-Unis l’ont fait en 1945 avec le Japon — lorsque les villes d’Hiroshima et de Nagasaki furent frappées par des bombes atomiques. En quelques secondes, plus de 200 000 civils furent tués, des villes entières furent anéanties, des générations furent empoisonnées par les radiations, et les survivants subirent toute leur vie des dommages physiques et psychologiques. Les retombées nucléaires ne se sont pas arrêtées à l’explosion — elles ont hanté le Japon pendant des décennies et demeurent l’un des exemples les plus sombres de l’humanité sacrifiant des civils à la domination géopolitique.

Aujourd’hui, des bases militaires sont construites autour de l’Iran. De jeunes soldats sont déployés. Des milliards sont investis dans des systèmes d’armement. L’Iran risque de devenir un cobaye géopolitique — réduit d’une civilisation à un champ de bataille.

Et une fois les dégâts causés ?
Le pays pourrait être divisé, exploité, vidé de ses ressources — puis finalement abandonné, comme tant d’autres avant lui.

Cela ne marquerait pas seulement la mort spirituelle de l’Iran.
Cela signalerait quelque chose d’encore plus grave : que l’humanité n’a absolument rien appris et que le mal est plus fort que l’humanité.