March 20, 2026

🕋The History of Mecca: Origins, Transformation, and Significance

 

There was one thing I found myself quietly longing for before our journey to Egypt even began: the sound of the Azan. Living in Europe, it’s something you rarely hear- and yet, somehow, you feel its absence. That gentle, grounding call carries a sense of calm and belonging that’s hard to put into words, but easy to miss once you’ve known it.

Before diving into our personal experiences, I want to take a step back. This second blog post is dedicated to something deeper - the story behind it all. The history of Mecca is not just a timeline of events, but a narrative filled with meaning, faith, and centuries of devotion.

Mecca is one of the oldest continuously inhabited cities on the Arabian Peninsula and today serves as the spiritual centre of Islam. Millions of Muslims around the world turn toward this city every day during their prayers. However, the history of Mecca goes far beyond the emergence of Islam and combines religion, trade, politics, and cultural transformation.


The Earliest Origins

Islamic tradition traces the origins of Mecca back to the Prophet Ibrahim (Abraham).

According to tradition, Ibrahim brought his wife Hajar (Hagar) and his son Ismail (Ishmael) to a dry and barren valley in what is now the region of the Hejaz in present-day Saudi Arabia.

When their water ran out, Hajar desperately searched for help between the hills of Safa and Marwa. During this search, a spring miraculously appeared — the well known as the Zamzam Well, which still exists today and is considered sacred.

Later, Ibrahim returned and, together with his son Ismail, built the Kaaba, a cube-shaped structure that Muslims believe to be the house dedicated to the worship of one God.


Mecca Before Islam

Centuries later, Mecca developed into an important trading center. The city was strategically located along major caravan routes connecting Yemen, Syria, and other parts of the Arabian Peninsula.

During this period, the powerful tribe of the Quraysh controlled the city.

Even before Islam, the Kaaba was already an important religious sanctuary. However, at that time it was associated with the worship of many different deities. Numerous idols belonging to different Arab tribes were placed inside and around the Kaaba, and pilgrims from across the region traveled to Mecca to worship them.

Because of this, Mecca became both a religious pilgrimage destination and a prosperous commercial hub.


The Time of Muhammad and the Birth of Islam

In the year 570 CE, the Prophet Muhammad was born in Mecca.

At around the age of forty, he began preaching the message that there is only one God. This teaching challenged the social and religious order of Mecca and was strongly opposed by many leaders of the Quraysh tribe, who feared losing their influence and economic power.

In 622 CE, Muhammad and his followers migrated from Mecca to the city of Medina. This event is known as the Hijra and marks the beginning of the Islamic calendar.

Several years later, Muhammad returned to Mecca with his followers. In what is known as the Conquest of Mecca (630 CE), the city came under Muslim control. The idols in the Kaaba were removed, and the sanctuary was rededicated to the worship of the one God.


Mecca in the Islamic Empires

After the death of Muhammad, Mecca remained the most important religious city in Islam. However, political power in the Islamic world was often centered in other cities such as Damascus or Baghdad.

Over the centuries, Mecca came under the influence of several major Islamic dynasties and empires, including:

  • the Umayyad Caliphate

  • the Abbasid Caliphate

  • the Ottoman Empire

Despite these political changes, Mecca always remained the central destination for Muslim pilgrimage.


Mecca in the Modern Era

At the beginning of the 20th century, the Ottoman Empire collapsed, and control of the region changed. After several conflicts and political developments, Mecca eventually became part of the Kingdom of Saudi Arabia, which was officially established in 1932.

Since then, the city has undergone enormous transformation. Large expansions of the Masjid al-Haram (the Grand Mosque) have been built to accommodate the growing number of pilgrims who travel to Mecca every year.


Mecca Today

Today, Mecca is accessible only to Muslims and remains one of the most significant religious centers in the world.

Every year, millions of Muslims travel there to perform the Hajj, the annual pilgrimage that is one of the five pillars of Islam. Many also perform the smaller pilgrimage known as Umrah, which can be undertaken at any time of the year.



Mecca evolved from a remote desert valley into a thriving trading center and ultimately into the holiest city in Islam. Its religious importance has shaped the spiritual life of Muslims for centuries and continues to do so today.



🕋Die Geschichte von Mekka – Ursprung, Propheten und Bedeutung für den Islam!

Es gab eine Sache, nach der ich mich schon lange vor unserer Reise nach Ägypten ganz leise gesehnt habe: den Klang des Azans. Wenn man in Europa lebt, hört man ihn nur selten – und doch spürt man irgendwie, dass er fehlt. Dieser sanfte, erdende Ruf trägt eine Ruhe und ein Gefühl von Zugehörigkeit in sich, das sich nur schwer in Worte fassen lässt, aber umso leichter vermisst wird, sobald man es einmal erlebt hat.

Bevor ich in unsere persönlichen Erfahrungen eintauche, möchte ich einen Schritt zurückgehen. Dieser zweite Blogbeitrag widmet sich etwas Tiefergehendem – der Geschichte dahinter. Die Geschichte von Mekka ist nicht nur eine Abfolge von Ereignissen, sondern eine Erzählung voller Bedeutung, Glauben und jahrhundertelanger Hingabe.

Mekka gehört zu den ältesten dauerhaft bewohnten Städten der arabischen Halbinsel und ist heute das spirituelle Zentrum des Islam. Millionen von Menschen wenden sich täglich in ihrem Gebet dorthin. Doch die Geschichte dieser Stadt reicht weit über die Entstehung des Islam hinaus und verbindet Religion, Handel, Machtpolitik und kulturellen Wandel.

Die frühesten Ursprünge

Die islamische Tradition führt den Ursprung Mekkas auf den Propheten Ibrahim (Abraham) zurück.

Der Überlieferung zufolge brachte Ibrahim seine Frau Hadschar und seinen Sohn Ismail in ein trockenes Tal der heutigen Region Hejaz.

Als das Wasser ausging, suchte Hadschar verzweifelt zwischen den Hügeln Safa und Marwa nach Hilfe. Dabei entsprang der Überlieferung nach plötzlich eine Quelle – der Brunnen Zamzam Well, der bis heute existiert.

Später kehrte Ibrahim zurück und errichtete gemeinsam mit Ismail die Kaaba, ein würfelförmiges Heiligtum, das als Haus Gottes gilt.


Mekka vor dem Islam

Jahrhunderte später entwickelte sich Mekka zu einem wichtigen Handelszentrum. Die Stadt lag strategisch günstig auf Karawanenrouten zwischen Yemen, Syria und anderen Regionen der arabischen Halbinsel.

In dieser Zeit kontrollierte der Stamm der Quraysh die Stadt. Die Kaaba war damals bereits ein religiöses Zentrum – allerdings für viele verschiedene arabische Stämme. In und um die Kaaba standen zahlreiche Götzenstatuen, die von Pilgern verehrt wurden.

Mekka war daher sowohl ein religiöser Wallfahrtsort als auch ein wirtschaftliches Zentrum.


Die Zeit von Mohammed und die Geburt des Islam

Im Jahr 570 wurde in Mekka der Prophet Muhammad geboren.

Mit etwa 40 Jahren begann er zu verkünden, dass es nur einen Gott gebe. Diese Botschaft stieß in Mekka zunächst auf starken Widerstand, besonders bei den führenden Familien der Quraysh, die ihre wirtschaftliche und religiöse Stellung bedroht sahen.

622 verließ Muhammad Mekka und wanderte nach Medina aus. Diese Auswanderung wird Hidschra genannt und markiert den Beginn des islamischen Kalenders.

Einige Jahre später kehrte Muhammad mit seinen Anhängern zurück und nahm Mekka weitgehend friedlich ein (Eroberung von Mekka). Die Götzen in der Kaaba wurden entfernt, und das Heiligtum wurde endgültig dem Monotheismus gewidmet.



Die Geschichte von Mekka – Ursprung, Wandel und Bedeutung

Mekka im islamischen Reich

Nach dem Tod Muhammads blieb Mekka das wichtigste religiöse Zentrum der islamischen Welt. Politisch lag die Macht jedoch meist in anderen Städten wie Damascus oder Baghdad.

Die Stadt stand über die Jahrhunderte unter der Kontrolle verschiedener Mächte, darunter:

  • das Umayyad Caliphate

  • das Abbasid Caliphate

  • das Ottoman Empire

Trotz politischer Wechsel blieb Mekka stets das Herz der islamischen Pilgerfahrt.


Mekka in der modernen Zeit

Im frühen 20. Jahrhundert zerfiel die osmanische Herrschaft. Nach mehreren Konflikten wurde Mekka schließlich Teil des Königreichs Saudi Arabia, das 1932 gegründet wurde.

Seitdem hat sich die Stadt enorm verändert. Große Erweiterungen der Masjid al-Haram ermöglichen es heute, Millionen Pilger während der Hadsch aufzunehmen.


Mekka heute

Heute ist Mekka ausschließlich Muslimen zugänglich und eines der bedeutendsten religiösen Zentren der Welt. Jedes Jahr reisen mehrere Millionen Menschen dorthin, um die Hadsch oder die kleinere Pilgerfahrt, die Umrah, zu vollziehen.

Die Stadt verbindet damit auf einzigartige Weise uralte religiöse Tradition mit moderner Infrastruktur.


Mekka entwickelte sich von einem abgelegenen Wüstental über ein Handelszentrum der arabischen Stämme zu dem wichtigsten religiösen Ort des Islam – eine Rolle, die es bis heute innehat.



March 19, 2026

🏛️Between Desert, Nile, and Sound: The Journey That Inspired Two Albums


Egypt — and the Beginning of Something New

Egypt. A country I never truly believed I would visit. For decades, it felt out of reach - bureaucracy, safety concerns, visa complications… all the things that quietly turn a dream into a “maybe someday.” And yet, the dream never left. The land of temples, pharaohs, and stories older than imagination kept calling. 

And then - suddenly - we were there. Let me say this clearly: No documentary, no film, no photograph prepares you for Egypt in real life. It doesn’t just look different - it feels different. Bigger. Rawer. More intense. More human.

I went in without expectations. And still, it was nothing like I imagined. In my upcoming blog posts, I won’t sugarcoat anything. I’m not here to sell a fantasy - I’m here to share real, recent experiences. The beautiful, the uncomfortable, the shocking, and the deeply inspiring.

Because Egypt is all of that at once.


This journey was full of firsts:

Our first time in Africa.
Our first group trip.
And — believe it or not — our first cruise.

Yes… a cruise. Something I had subconsciously avoided for years (thank you, Titanic 😄). But in the end, it turned out to be one of the best decisions we’ve ever made. 

Combining a Red Sea beach stay with a Nile river cruise felt like stepping into two completely different worlds - both magical in their own way. Like wearing two pairs of shoes you never thought would match… but somehow, they do perfectly.


When we landed in Hurghada, something shifted.

I remember looking out and thinking: We’re really here. The land of the pharaohs. The world of Tutankhamun and Cleopatra.

It almost didn’t feel real. The palm trees, the light, the contrast of desert and sea - surreal in a way that’s hard to describe. But let’s be honest. Hurghada itself is not what many might expect. It’s rough around the edges. Unfinished buildings, empty structures that feel like ghost towns, streets that don’t match the luxury image often associated with travel destinations.

And if you think Egypt might feel like Dubai just because of shared cultural elements - think again. There is no comparison. None. 

Egypt has its own identity. Its own rhythm. Its own reality.


Some things were difficult to witness.

The stray animals - dogs and cats lying in the heat without water or care - broke our hearts. It’s something that stays with you long after you leave. The streets can be chaotic, sometimes overwhelming.

And yet…

Right in the middle of all of that, there was something extraordinary.

The people. I have rarely experienced such genuine hospitality. From drivers to tour guides, from hotel teams to cruise staff - the level of professionalism, warmth, and attention to detail was remarkable. Not rehearsed. Not forced. Real. You feel welcomed. Seen. Taken care of. And that - more than anything - stayed with us.


This trip didn’t just leave us with memories. It changed something creatively. The sounds, the atmosphere, the emotions - they found their way into our music.

We came back inspired. So much so that we are now working on two new albums, both deeply influenced by Arabic/Egyptian musical elements - melodies, rhythms, and stories shaped by this journey.

This is just the beginning. More blog posts are coming - the honest kind.

And this is the first album that carries pieces of this experience within every note. 
Enjoy!


🏛️Zwischen Wüste und Klang: Die Reise, die zwei Alben erschuf

Ein Land, von dem ich lange dachte, dass ich es wahrscheinlich nie besuchen würde.

Zu viele Hürden: Bürokratie, Sicherheitsbedenken, Visa-Regeln… all diese Dinge, die einen Traum leise in die Kategorie „vielleicht irgendwann“ verschieben. Und trotzdem war da immer dieser Wunsch. Dieses Ziehen. Das Land der Pharaonen, der Tempel, der Geschichten, die älter sind als alles, was wir kennen.

Und dann… waren wir plötzlich dort.


Ich sage es, wie es ist: Keine Dokumentation, kein Film, kein Foto kann dich wirklich auf Ägypten vorbereiten. Es sieht nicht nur anders aus - es fühlt sich anders an. Intensiver. Roh. Echt.

Ich bin ohne große Erwartungen hingereist. Und trotzdem war es komplett anders, als ich es mir vorgestellt hatte. 

In meinen nächsten Blogposts werde ich nichts beschönigen. Ich bin nicht hier, um irgendetwas zu verkaufen. Ich schreibe über das, was wir wirklich erlebt haben — die schönen Dinge, die schockierenden Momente und die positiven Überraschungen.

Denn Ägypten ist all das gleichzeitig.


Diese Reise war voller Premieren:

Unser erster Trip nach Afrika.
Unsere erste Gruppenreise.
Und — kaum zu glauben — unsere erste Kreuzfahrt.

Ja… eine Kreuzfahrt. Etwas, das wir jahrelang unbewusst ausgeschlossen hatten (danke, Titanic 😄).

Und am Ende? Eine der besten Entscheidungen überhaupt.

Die Kombination aus Strandurlaub am Roten Meer und einer Nilkreuzfahrt war einfach magisch. Zwei komplett unterschiedliche Welten — und beide auf ihre eigene Art wunderschön.


Als wir in Hurghada gelandet sind, wurde es plötzlich real.

Ich erinnere mich genau an diesen Moment: Wir sind wirklich hier. Im Land der Pharaonen. In der Welt von Tutanchamun und Kleopatra.

Es fühlte sich fast unwirklich an. Palmen mitten in der Wüste, diese besondere Lichtstimmung - eine Szenerie, die schwer in Worte zu fassen ist.

Aber ich bleibe ehrlich: Hurghada selbst ist keine klassische „schöne“ Stadt. Viele unfertige Gebäude, leere Häuser, die fast wie Geisterorte wirken, Straßen, die wenig mit dem Luxusbild zu tun haben, das man vielleicht erwartet. Und wenn man denkt, Ägypten könnte mit Dubai vergleichbar sein - nur weil beide zur arabischen Welt gehören - dann liegt man komplett daneben.

Es gibt keinerlei Vergleich. Ägypten hat seinen ganz eigenen Rhythmus. Seine eigene Realität.


Manche Dinge waren schwer zu sehen.

Die vielen Straßenhunde und Katzen, die in der Hitze liegen - oft ohne Wasser, ohne Futter, ohne Versorgung. Gerade die kleinen Tiere… das geht einem wirklich nah. Auch der Müll, die Unordnung, das Chaos — das gehört genauso zur Realität vor Ort.

Und trotzdem…

Mitten in all dem gab es etwas, das uns tief beeindruckt hat: Die Menschen. Ich habe selten so viel echte Gastfreundschaft erlebt. Egal ob Fahrer, Tourguides, Hotelpersonal oder Crew auf dem Schiff - jeder Einzelne war auf seine Weise bemerkenswert.

Professionell, aufmerksam, herzlich. Nicht gespielt. Nicht aufgesetzt. Sondern ehrlich. Man fühlt sich willkommen. Wirklich willkommen. Und genau das hat uns am meisten berührt.


Diese Reise hat nicht nur Erinnerungen hinterlassen. Sie hat etwas in uns ausgelöst. Die Klänge, die Atmosphäre, die Emotionen - all das hat seinen Weg in unsere Musik gefunden. Wir sind zurückgekommen - inspiriert wie lange nicht mehr.

So sehr, dass wir aktuell an zwei neuen Alben arbeiten, die stark von arabischen/ägyptischen Einflüssen geprägt sind - in Melodien, Rhythmen und Geschichten.

Das hier ist erst der Anfang. Weitere Blogposts folgen - ehrlich, ungefiltert und nah dran. 

Das erste Album ist bereits auf LilyAmis.Bandcamp.com erhältlich.

March 17, 2026

🔥When a Song Turns into a Letter: “Light the Fire” and a Conversation with the Palace!


A few months ago I wrote a protest rap called “Light the Fire.”

The song was inspired by the growing debate around long migration waiting periods and the idea that some people might spend decades in legal limbo before they are allowed to truly belong.

The line that stayed with me while writing the song was simple:

“They light the fire — then complain about the smoke.”

It captures the paradox many refugees feel: wars and crises create displacement, but those who flee often face suspicion, endless waiting, and systems that put their lives on hold.

For me this topic is not theoretical. Thirty-eight years ago I arrived in Europe with my mother as a war refugee. It took 15 years before our lives finally became stable. Years that can never be returned. Years when childhood, education, and identity feel suspended between hope and uncertainty.

Writing the song was one way of expressing those emotions.
But I also felt that simply releasing a song was not enough.

So I decided to do something unusual: I wrote letters.

One letter went to His Majesty King Charles III and Queen Camilla, another to The Prince and Princess of Wales, and a third to 10 Downing Street. The letters were respectful, personal reflections about time, dignity, and the importance of allowing children and families to build stable lives rather than waiting for decades.


My Letter to King Charles & Queen Camilla

Zurich, 18. December 2025

Subject: Twenty-Year Settlement Waiting Periods and Their Impact on Children

Your Majesty,
Your Majesty Queen Camilla,

I am writing to you not as a politician, nor as an expert in law, but as a human being who once arrived in Europe as a war refugee - and who knows, from lived experience, what it means to have one’s life placed on hold for years.

Thirty-eight years ago, my mother and I arrived with little more than hope. We were safe, yes - but safety alone does not equal a life. It took fifteen years before we were allowed to live with stability, dignity, and the right to fully participate in society. Fifteen years of temporary papers, uncertainty, and fear of losing everything again.

Today, I watch history repeat itself.

Recent proposals in the United Kingdom suggest that refugees and migrants may be required to wait up to twenty years before they are granted permanent settlement. Twenty years is not a “process”; it is a lifetime. Childhoods pass, youth disappears, and potential is frozen. Time - the most precious thing any of us owns - is quietly taken away.

Your Majesty, you have dedicated much of your life to supporting young people through The Prince’s Trust, helping those from difficult backgrounds gain confidence, education, and the chance to build something meaningful. Your Majesty Queen Camilla, your long-standing support of books, literacy, and learning reflects a belief that every human being deserves the opportunity to grow, contribute, and belong.

It is in that spirit that I write to you.

How can young people learn, plan, and build a future if they are forced to live for decades in legal limbo? How can families thrive when they are treated as temporary guests in the very place they are trying to call home? Prolonged waiting periods do not encourage integration; they paralyse it.

I understand that the monarchy does not create laws. However, it does carry moral weight. Your voices, your patronage connections, and your lifelong commitment to social responsibility play an important role in shaping public conversation.

I respectfully ask whether you might consider using that influence to highlight the human cost of prolonged settlement waiting periods, to encourage public discussion about their impact on children and families, and to raise concerns with government as to whether decades-long limbo truly reflects British values of fairness, dignity, and compassion.

I write as someone who has survived war, displacement, and years of waiting, and who is now an independent writer and songwriter. Through my writing and song lyrics, I try to raise awareness of inhuman realities such as this one and to give voice to those still trapped in uncertainty. I would be honoured to share my music with you and will include a small memory stick with a selection of my songs, should you ever wish to listen.

Refugees do not ask for privilege. We ask only for the chance to live, work, contribute, and belong - without having decades of our lives suspended.

As the year draws to a close, may I also extend my sincere best wishes to you both, especially for continued health and strength. I wish you a Merry Christmas and a happy, peaceful, and healthy 2026.

Thank you very much for taking the time to read my letter. I hope it will be received in the spirit in which it is written - with respect, concern, and a deep belief in humanity.

Yours sincerely,

Lily Amis

Writer & songwriter

P.S. I have also shared these concerns with the Prime Minister, in the hope that they may be considered across all appropriate levels.


🏛️ Response from Buckingham Palace

Following my letter to His Majesty The King and Queen Camilla, I received a kind response from Buckingham Palace. I have chosen not to share the letter publicly, but I appreciate that my words were received and acknowledged with courtesy.

The Head of Royal Correspondence wrote that the King had received my letter and had taken interest in learning about my work as a songwriter. While the Palace explained that it is not possible for the monarch to comment on policy matters, my views had been “very carefully noted.”

I appreciated the courtesy and the acknowledgment. In today’s fast world, even taking the time to respond thoughtfully says something about the value of dialogue.

So I would like to express my thanks for that reply.



My Letter to the Prince & Princess of Wales

Zurich, 18. December 2025

Subject: Twenty-Year Settlement Waiting Periods and Their Impact on Children

Your Royal Highnesses,

I hope you will forgive me for writing to you again. Some time ago, I had the honour of sending you a selection of my books and audiobook for your children. I was deeply touched by your kind response and your words of thanks for the work I had shared with them. That exchange has stayed with me, and it is in that same spirit of care for children and their futures that I write to you today.

I am a former war refugee, and also a writer and songwriter who believes deeply in the right of every child to grow up with dignity, stability, and hope.

You are parents to three young children. Like all parents, you know how quickly childhood passes - how each year matters, how time shapes confidence, education, and a sense of belonging. It is precisely because of this that I felt compelled to write to you.

There are children today in the United Kingdom - refugee children and children of migrants - whose futures are being placed on hold for up to twenty years under proposed settlement rules. Twenty years is not an administrative detail. It is an entire childhood. It is adolescence. It is the foundation of a life.

No parent would willingly accept their own children being told to wait decades before they are allowed to belong, to feel secure, or to plan a future. No parent would consider it reasonable for their children’s education, mental wellbeing, and sense of worth to be suspended while paperwork slowly moves forward.

Yet this is the reality facing thousands of families.

I arrived in Europe as a child fleeing war. Although I was safe, it took fifteen years before my life was no longer defined by temporary status and uncertainty. Those years cannot be recovered. Education is disrupted, confidence erodes, and dreams shrink - not because of a lack of ability or effort, but because dignity itself is delayed.

Your Royal Highnesses have spoken often about the importance of early childhood, mental health, and giving young people the best possible start in life. Prolonged waiting periods do the opposite. They teach children that they are conditional, temporary, and unwelcome - even when they are doing everything asked of them.

Education, dignity, and the right to a normal life should never be placed on hold.

I understand that you do not make laws. But you do carry influence, compassion, and the ability to shape national conversation. I respectfully ask whether you might consider using your voices and your work to highlight the impact of prolonged legal limbo on children and families, and to encourage reflection on whether such policies truly align with the values of fairness, responsibility, and humanity that Britain stands for.

This letter is written not in anger, but in concern - and in hope. Hope that those who are privileged with safety and stability might help ensure that others are not denied the same simply because of where they were born.

As parents, you know that time with our children is precious. Once lost, it cannot be returned. No child should spend their formative years waiting to be allowed a life.

I have included a small memory stick with a selection of my music (including my track King Charles and Light the Fire), in which I try to raise awareness about inhuman realities such as these through song, should you ever wish to listen.

As the year draws to a close, I would like to wish you and your family a Merry Christmas, along with continued health, safety, and happiness. May the coming year bring peace, compassion, and hope for all children and families.

Thank you very much for taking the time to read my letter.

Yours sincerely,

Lily Amis

Writer & songwriter

P.S. I have also shared these concerns with the Prime Minister, in the hope that they may be considered across all appropriate levels.


👑 Response from Kensington Palace

Following my letter to the Prince and Princess of Wales, I received a kind response from Kensington Palace too. 

While I have chosen not to share the letter publicly, I appreciated the acknowledgement of my experience and the thoughtful reply.

But both responses were respectful and acknowledged my words, while also reflecting the limits of their roles.

As for my other letter, I have not received a response from Downing Street yet. Perhaps they are still somewhere in the administrative maze of modern governance, or perhaps they simply will remain unanswered. That, too, is part of the reality when citizens try to raise difficult topics.

But the purpose of writing was never confrontation.
It was conversation.

And sometimes the act of speaking honestly is already enough.

For now, I consider this chapter closed. The song “Light the Fire” exists, the letters were written, and the message has been shared. Whether it changes anything immediately is not for me to decide.

What I do know is that creativity should not live forever in anger.

So for the next while, I am turning my focus toward positive stories, new music, and projects with strong sync potential — songs about resilience, hope, and the human spirit.

The fire has been lit.
Now it is time to create new light.


March 16, 2026

🤫Silence - When Your Voice Is Misused: Why I Am Stepping Back


In my previous open letter to META, I spoke about the ongoing copyright violations affecting my music and reels online. Since then, much more has happened - both in the world and within the communities that claim to stand for Iran and in my own work and in the world around us. The situation in and around Iran has continued to evolve in ways that affect not only one nation of almost ninety million people, but the stability of an entire region.

Many have asked why I have been silent.

The truth is simple: silence is sometimes the only honest response when your voice is being misused.

Over the past months I invested my time, energy, and resources into creating music and visual work meant to give a voice to Iranians inside and outside the country. Yet while doing so, I watched my own reels being downloaded, reposted, and circulated across social media without permission. In several cases the people sharing my work blocked me while continuing to distribute my copyrighted material.

When that happens, something fundamental breaks. Not only trust in the platforms that host our work, but trust in the basic respect between people who claim to share the same cause.

More songs could have been released by now. More messages of solidarity could have been shared. But when your own creative work is taken, reposted, and protected by those who refuse to remove it, it becomes difficult to continue speaking into that same space.

At the same time, the conversations surrounding Iran have once again revealed something deeper that has shaped our history for decades: division. For many years Iranians have struggled not only with political systems but also with a lack of unity among ourselves. In recent weeks that fragmentation has once again become painfully visible.

Different groups promote different visions, different leaders, and different strategies for the future. Meanwhile, the voices of ordinary people - those who simply want dignity, safety, and peace - are often lost in the noise.

Watching these divisions grow while violence and instability spread across the region has been deeply disheartening. Human lives should never become symbols in political games, and no nation deserves to see its people caught between power struggles and competing agendas.

For these reasons I have chosen, for now, to step back from releasing political songs. Silence is not indifference. It is a pause - a moment to protect my work, my values, and my peace of mind.

Another reason for my silence has been the tone of some conversations I have seen online in recent weeks. I have watched posts on social media where people celebrate military actions and publicly thank foreign governments for attacks that are reported to have caused destruction and loss of life, including damage to civilian spaces such as schools and hospitals. 

From a human point of view, I find this deeply troubling. No matter which government is responsible, suffering and the loss of innocent lives should never become something to applaud.

For me, solidarity with Iran has always meant solidarity with its people - not cheering for violence carried out by any power. When I see messages celebrating destruction or treating war as a victory for one side or another, it conflicts with my values and my understanding of humanity. My voice cannot join that chorus. Respect for human life must remain above politics, ideology, or geopolitical alliances.

In the meantime, I will continue working quietly on my catalogue and focusing on music that brings light, strength, and positivity. Music has the power to heal, and that is where I want to place my energy moving forward.

My voice is not gone. It is simply choosing its moment. 

A voice that is misused must sometimes step back in order to remain honest.

Lily Amis


Note: Bandcamp is a platform for purchasing music rather than streaming. For this reason, and to protect my work from unauthorized circulation, the tracks in this album become visible after the album is downloaded.







February 25, 2026

🛑My second Open Letter: I Am Tired of Fighting for My Own Work Online!

I never imagined that promoting my own music would turn into a constant battle to protect it from being copied, reposted, and dismissed as if it never belonged to me in the first place. Despite being registered with BMI and Songtrust, distributed through Tunecore and Bandcamp. Despite having the original mastering of my reels in Canva! THIS IS MADNESS!!!!!!!!!! 

I am an independent songwriter and creator. My music is officially released, registered, and publicly verifiable. Some of my tracks are even listed inside the platform’s own audio libraries. Yet over the past weeks, my original reels have been downloaded and re-uploaded repeatedly by accounts that had no permission to use my work. The same video. The same music. The same creative labor — multiplied without control.

At first, I trusted the system. I followed the reporting processes, submitted links, and documented violations carefully. Some posts were removed. Others were not. In one case, an identical reel was reviewed and described as “different,” leaving me questioning whether independent creators are truly seen or simply processed by automated decisions that overlook context and originality.

The impact goes far beyond frustration. I paused my promotions. I set my account to private. I archived my own original reels to prevent further misuse while copies continued circulating publicly. Instead of focusing on creating new music, I spent days tracking reposts, gathering evidence, and trying to navigate systems that seem designed for scale — not for the lived reality of individual artists.

This experience raises difficult questions. If platforms can recognize songs through digital fingerprints and maintain extensive audio libraries, why do identical re-uploads remain visible for so long? Why does enforcement depend on how persistent a creator is rather than how clearly ownership can be verified?

I am sharing this not only as a personal story, but as a reflection of a broader issue affecting independent creators everywhere. We invest in our work with limited resources, believing that platforms offer both opportunity and protection. When that protection fails, the burden quietly shifts back onto the artist — turning creativity into constant vigilance.

I am not writing this to attack or to create conflict. I am writing because visibility matters. Because creators deserve systems that recognize and protect original work without forcing artists to become investigators of their own copyright. And because trust in digital platforms grows only when artists feel supported, heard, and respected.

I still believe in the power of online communities and in the possibility of fair creative spaces. But that future requires transparency, consistency, and a genuine commitment to protecting those who bring art into the world.

— Lily Amis

✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦

AFTER REPORTING SEVERAL TIMES, NOW I HAVE RECEIVED THIS EMAI. AND NO, IM NOT GOING TO FILL OUT MORE FORMS. SO HERE IS MY PUBLIC EMAIL TO META:

Thank you for your email. We require rights holders to use Meta’s online forms (linked below) to report intellectual property rights violations.

***Your report will not be reviewed unless it is submitted through one of these forms.***

Reporting a Violation of Intellectual Property Rights:


If you have any additional questions about intellectual property, please visit the Intellectual Property section of our Help Centers:




✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦ ✦ ✦✦
25. February 2026 - MY EMAIL TO META AFTER SEVERAL REPORTINGS !

Formal Escalation – Ongoing Copyright Infringement, Re-Uploads and Systemic Failure to Protect Original Reels

Dear Meta / Instagram Intellectual Property Team,
 
I am submitting this message as a formal escalation and structured follow-up regarding multiple unresolved copyright violations affecting my original reels and music. If necessary, please forward this escalation to the appropriate policy or legal review team responsible for Rights Manager enforcement.
 
I am the original creator and sole rights holder of the referenced works (music, visuals and editing). My authorship is publicly verifiable through my official releases and channels:
 
Bandcamp:
 
My music catalogue is distributed via Tunecore, registered with BMI, and administered through Songtrust. 70 of my songs — including “0098SOS” — are already available inside Instagram’s own audio library.
 
Despite this, numerous accounts were able to download and re-upload my reels without authorization. I am deeply concerned that these reposts were neither automatically flagged, monetized, nor blocked, even though the platform clearly has access to the digital audio fingerprint of my releases. I am requesting clarification as to why repeated identical uploads were not detected by your systems.
 
Due to the ongoing violations, I was forced to stop paid promotionsrestrict my Instagram account, and archive my own original reels to prevent further misuse while copies remain online. This has significantly disrupted my marketing plans and undermines trust in the platform’s copyright protection mechanisms. I cannot reasonably be expected to act as an investigator and submit endless individual forms while systemic reposting continues.
 
Based on the scale and spread of these reposts, I am certain that additional unauthorized copies exist, including on private accounts. I am aware that your internal systems are capable of identifying, flagging and removing such content, and I request that these internal detection tools be actively applied to locate and address further infringements beyond the links I can publicly access.
 
I rely on Meta Rights Manager and Instagram’s safety infrastructure to protect my work. At this stage I am requesting a coordinated internal review rather than isolated case handling.
 
I respectfully request:
 
• A manual review and escalation of these cases to the appropriate rights-management team
• A formal investigation into why identical audio and video reposts were not automatically detected
• The removal of all remaining unauthorized copies, including those identified through internal detection tools
 
Please inform me clearly which additional documentation, if any, is required so that this matter can be resolved comprehensively. I am no longer able to invest extensive time monitoring and reporting repeated infringements that fall within the platform’s own enforcement capabilities. If these issues cannot be resolved through the current process, I will consider further formal remedies available to rights holders under applicable EU regulations.
 
This experience has significantly affected my trust in the platform’s ability to protect original creators. I hope this escalation leads to a clear resolution and restores confidence in promoting my work on Instagram under reliable copyright protection.
 
Kind regards,
Lily Amis
Writer & Songwriter
Instagram: @LilyAmisMusic
 
 
Below is a structured overview of the affected works and currently visible unauthorized reposts that remain online at the time of writing - Open list of THIEFS: 
 

Shir O Khorschid by Lily Amis  
 
Hamdel O Hamseda by Lily Amis 
 
Iranian Lives Matter by Lily Amis  
 
Prison of Silence by Lily Amis 
 
Ba Hezar Omid by Lily Amis 
 
0098SOS by Lily Amis